Pause to Play:
(Source: , via explore-blog)
Bonus points for the video voiceover by Roman Mars of 99% Invisible fame.
(Source: , via explore-blog)
Adly Elewa x Rodrigo Corral (for damien)
Above are photos of installations of character traits in two NYC schools originally produced for the article What if the Secret to Success is Failure? in the New York Times Magazine. Some photos by Stephen Wilkes.
Check out this fantastic Design Matters podcast with Stephen here.
I picked up this chocolate on my trip to Mexico City because of its minimal packaging, and just came now across the idea behind this chocolate which is done by this design studio, explained here: http://vimeo.com/41058754
The rest of their work is pretty amazing as well: http://savvy-studio.net
When an old man died in the geriatric ward of a nursing home in an Australian country town, it was believed that he had nothing left of any value.
Later, when the nurses were going through his meagre possessions, They found this poem. Its quality and content so impressed the staff that copies were made and distributed to every nurse in the hospital.
One nurse took her copy to Melbourne .. The old man’s sole bequest to posterity has since appeared in the Christmas editions of magazines around the country and appearing in mags for Mental Health. A slide presentation has also been made based on his simple, but eloquent, poem.
And this old man, with nothing left to give to the world, is now the author of this ‘anonymous’ poem winging across the Internet.
Cranky Old Man…..
What do you see nurses? ……What do you see?
What are you thinking .. . when you’re looking at me?
A cranky old man, … …not very wise,
Uncertain of habit .… … . .. with faraway eyes?
Who dribbles his food .. . … . . and makes no reply.
When you say in a loud voice . .’I do wish you’d try!’
Who seems not to notice …the things that you do.
And forever is losing … …… A sock or shoe?
Who, resisting or not … … lets you do as you will,
With bathing and feeding … .The long day to fill?
Is that what you’re thinking?. .Is that what you see?
Then open your eyes, nurse .you’re not looking at me.
I’ll tell you who I am … . .. As I sit here so still,
As I do at your bidding, .… . as I eat at your will.
I’m a small child of Ten . .with a father and mother,
Brothers and sisters .… .. . who love one another
A young boy of Sixteen … .. with wings on his feet
Dreaming that soon now …… a lover he’ll meet.
A groom soon at Twenty … ..my heart gives a leap.
Remembering, the vows .. .. .that I promised to keep.
At Twenty-Five, now … . .I have young of my own.
Who need me to guide … And a secure happy home.
A man of Thirty . .… . . My young now grown fast,
Bound to each other …. With ties that should last.
At Forty, my young sons .. .have grown and are gone,
But my woman is beside me . . to see I don’t mourn.
At Fifty, once more, .. …Babies play ‘round my knee,
Again, we know children … . My loved one and me.
Dark days are upon me … . My wife is now dead.
I look at the future … … . I shudder with dread.
For my young are all rearing .… young of their own.
And I think of the years … And the love that I’ve known.
I’m now an old man … … .. and nature is cruel.
It’s jest to make old age … … . look like a fool.
The body, it crumbles .. .. . grace and vigour, depart.
There is now a stone … where I once had a heart.
But inside this old carcass . A young man still dwells,
And now and again … . . my battered heart swells
I remember the joys … . .. . I remember the pain.
And I’m loving and living … … . life over again.
I think of the years, all too few …. gone too fast.
And accept the stark fact … that nothing can last.
So open your eyes, people .… . .… open and see.
Not a cranky old man .
Look closer … . see .. .…. …. . ME!!
Remember this poem when you next meet an older person who you might brush aside without looking at the young soul within … …
we will all, one day, be there, too!
Quay Brothers commercial for their exhibition at MoMA, done by the Quay Brothers.
In this CreativeMornings/Stockholm talk, Julia Hoffmann, Creative Director at the MoMA speaks about working with one of the world’s most important brands for art. From type decisions to a recently launched iPad App, Julia walks us through the branding decisions and design work that goes on behind the scenes at this iconic museum.
Cheers to Nisse Axman & Oskar Törnros for filming and Nisse Axman for editing!
I love this series by Dina Fried:
The photographs in this series, Fictitious Dishes, enter the lives of five fictional characters and depict meals from the novels The Catcher in the Rye, Oliver Twist, The Girl with the Dragon Tattoo, Alice’s Adventures in Wonderland, andMoby Dick